Sherifa Gunu Laments Lack of Recognition for Music Legends in Ghanaian Industry

Ghanaian singer and performer Sherifa Gunu has voiced her frustration over what she describes as the persistent neglect and underappreciation of veteran musicians within the country’s music industry. According to her, many of Ghana’s musical legends are denied the recognition they deserve despite playing crucial roles in shaping the cultural and creative landscape.

In a recent interview with Daily Graphic, Sherifa expressed disappointment at how the nation often fails to celebrate its musical pioneers while they are alive and active. She pointed out that public acknowledgment and institutional recognition frequently come only after artists have passed away or received international acclaim.

“Unlike other countries that honour their icons during their lifetimes, Ghana waits until it’s too late,” she remarked. “We seem to only appreciate our legends when the rest of the world starts noticing them—or worse, when they are gone.”

Sherifa emphasized that this trend reflects a larger issue of disregard for the foundational figures in the arts, and she called for a cultural shift that would allow for greater respect and support for veteran musicians who have paved the way for the younger generation.

Reflecting on her own career, she compared the music environment in Ghana to that of Nigeria, suggesting that her growth as an artist might have been more substantial if she were based there. She highlighted how Nigerian artists benefit from strong local support systems that celebrate and promote talent, regardless of commercial trends.

“If I were Nigerian, I believe I’d be much further in my career,” she stated. “In Nigeria, even when a song isn’t great, the people still rally behind their own. In Ghana, you can release a masterpiece and get no attention until someone abroad praises it.”

Sherifa also criticized the lack of infrastructure and investment in Ghana’s music ecosystem, noting that talented artists often struggle to gain traction because of weak institutional backing. She contrasted this with the thriving support networks available to Nigerian musicians.

“Ghana has immense talent, but there’s no structure to sustain it. There’s little industry support, and that makes it hard for musicians to thrive,” she said.

Turning to perceptions around traditional music, Sherifa defended its relevance and cultural significance. She argued that while some Ghanaians label it as outdated, traditional rhythms are at the heart of many contemporary African hits—especially those by global stars like Burna Boy and Angelique Kidjo.

“The people who dismiss traditional music often don’t realize they’re already enjoying it in modern songs,” she explained. “The difference is that others know how to repackage and promote it better.”

Asked whether she would encourage new artists to explore traditional genres, Sherifa responded with caution, saying it’s a worthwhile path only for those who are truly passionate. She warned that, due to lack of local support, anyone choosing that route must be ready to work hard to gain recognition—often beyond Ghana’s borders.

“Traditional music is powerful and deeply rooted in our identity,” she said. “But in Ghana, it doesn’t get the push it needs. If you’re going to pursue it, be prepared to promote it on a global scale yourself.”

Sherifa’s remarks shed light on the broader challenges facing Ghana’s music legends and underscore the urgent need for reforms in how the country supports and honours its creative pioneers.