Stonebwoy Should Prioritize Music Over Irrelevant Remarks

Stonebwoy is undeniably one of Ghana’s most talented musicians, widely celebrated for his groundbreaking contributions to the dancehall music scene. His exceptional ability to blend Afrobeat rhythms with traditional dancehall beats has captured the attention of audiences both locally and internationally. Personally, I have been a huge fan of Stonebwoy, and I find his music deeply motivating. His songs inspire me on a daily basis, and his artistry has touched the lives of many fans worldwide.
Recently, I was particularly moved when Reverend Eastwood Anaba referred to Stonebwoy as a “prophet,” acknowledging the powerful and positive messages embedded in his music. This title reflects the significant influence he has in the industry and on his listeners. However, it is precisely because of this influence that I believe Stonebwoy must remain focused on his core craft and avoid unnecessary distractions. One such distraction occurred recently during an interview on Angel FM 96.1 in Kumasi, where Stonebwoy referred to fellow artist Shatta Wale in derogatory terms, calling him a “big mouth” and “Anokeseɛ.” In my opinion, this comment was beneath someone of Stonebwoy’s stature. Such remarks do nothing to elevate his reputation or the quality of the music industry as a whole.
Stonebwoy has reached tremendous heights in his career, with numerous accolades and collaborations with some of the biggest names in global music, including Sean Paul, Beenie Man, Burna Boy, and Alpha Blondy. His achievements speak volumes about his dedication, and the respect he has earned internationally is a testament to his remarkable talent. Furthermore, his efforts to bring Jamaican artist Spice to Ghana demonstrated his influence and ability to bridge cultural divides. These accomplishments solidify his position as one of Ghana’s finest artists, and it is precisely for these reasons that he should focus on further building his legacy rather than engaging in unnecessary public spats.
Fans like myself hold Stonebwoy to a high standard, and we admire him for his musical prowess and the positive impact of his songs. Therefore, his comments about Shatta Wale were disappointing. In the past, the public rightfully condemned Shatta Wale for making disparaging remarks about Stonebwoy, and fans expected better from the latter when the roles were reversed. For an artist of Stonebwoy’s caliber, such comments are unwarranted. Given his stature in the industry, it is important that he offer an apology and move forward in a way that reaffirms his professionalism and focus on his music.
Stonebwoy has achieved remarkable success in his career, and his artistry continues to captivate audiences across the globe. However, it is critical that artists, especially those of Stonebwoy’s status, rely on their management teams for guidance, particularly when it comes to public appearances and interviews. Management plays a crucial role in ensuring that an artist remains on message, avoiding irrelevant or inflammatory commentary that can harm their reputation. In this instance, rather than using the platform to engage with his Kumasi fans and promote his music, Stonebwoy diverted the conversation to unnecessary personal remarks that detracted from the interview’s true purpose.
Interviews serve as an important opportunity for artists to promote their work, connect with their audience, and share insights into their creative processes. Stonebwoy’s interviews should be used to discuss his latest music, upcoming projects, and the inspiration behind his work. When leveraged effectively, interviews help deepen the bond between an artist and their fans, allowing the artist to showcase their artistry and personality. However, when interviews are hijacked by divisive or negative comments, they risk alienating fans and tarnishing the artist’s public image.
Dancehall music, like all genres, thrives on competition and boldness, but it is essential for every artist to stay focused on their own craft. Stonebwoy’s strength lies in his unique ability to create music that resonates with audiences, blending emotion and storytelling with an infectious rhythm. His success and global recognition come from his musical talent, not from engaging in petty rivalries. The time and energy spent on making derogatory comments could be better used to collaborate with other artists, create new music, or even mentor the next generation of musicians.
As an artist with the ability to inspire millions, Stonebwoy should use his platform for positive change. His music has the power to unite, uplift, and motivate, and he should focus on creating more of it. Fans admire him not for his views on other artists but for his incredible ability to produce music that touches hearts and moves people.
The Bible reminds us in Proverbs 17:27, “The one who has knowledge uses words with restraint, and whoever has understanding is even-tempered.” This verse encourages thoughtful and wise communication, a quality that Stonebwoy, as a respected figure in the music industry, should embody in all his public statements.
Stonebwoy’s recent interview on Angel FM 96.1 in Kumasi should serve as a turning point. His immense talent should never be overshadowed by unnecessary controversies. By staying focused on his music and avoiding irrelevant commentary, he can continue to grow his career and solidify his legacy as one of Ghana’s greatest musicians. His management team should provide the necessary guidance to keep him on the path to success, ensuring that public appearances and interviews remain opportunities to promote his artistry rather than to engage in divisive rhetoric. The music industry needs Stonebwoy to stay true to his purpose: creating music that inspires and connects with people across the world. Let’s hope he takes this as an opportunity to refocus and continue his remarkable journey.